Most audio fans will have this experience: how do you feel good recording at home, but how to get someone else's home is not very good? The same, listening to someone else's home, I feel good recordings, and getting to my own home is not so good? Why is there such a result? The problem is clearly in the word "Bias".
Everyone's sound system will be biased somewhat, why is this "biased"? The fact is that most people in their homes will have their own sound system that has a particular tendency to one side because of equipment mix and space factors. This feature can be called "biased". What will happen to "biased"? Some CD recordings are just right for your "bias", while others are not. If you are suitable, you will think that it is a good recording. If you are not suitable, you will feel that the recording is not good. Usually, the sound system is more "biased". When listening to music, the more CDs you have, the better the recording is. Most CDs will feel that the recording is not acceptable. The less the audio system is "biased", the wider the recording effect will be accepted.
Perhaps you will ask, is this because there is no "bias", you will feel that all the recordings are very good? Do not! There is a general standard for the quality of the recording, and it will not become a good recording because there is no "bias". What I want to say is that the more there is no "biased" sound system, the more it is acceptable for the recording effects of various CDs, and it will not be felt. However, if you want to seriously judge whether the recording is good or bad, there is still a high score. Of course, the recording effect is always a relatively small party.
Bias will make people think that only I am right, the rest are wrong.
What harm does the audio system have if it is "biased"? First, because of the "bias" of the sound system, we tend to be blinded and not knowing ourselves. It is easy to fall into the trap of adjusting the sound toward the tip of the horn. Secondly, because of the "bias", we tend to have a tendency to sing a certain kind of recording, and it is incompatible with others. I often emphasize that the most important thing to adjust the sound is "the overall balance." If the sound is out of balance, it is a serious distortion of the music that the musicians have painstakingly played. When the music is distorted, the music played by the first-rate musicians will become the same as the musicians who are not in the stream. Similarly, if your audio system is "biased", the more balanced your sound balance is, the more distorted it is. In such a situation, you have a real chance to enjoy the beauty of music.
How can we avoid the "bias" of the sound system? Here I want to stress once again that everyone's audio system will inevitably be "biased" and there will be no exceptions. The point of the question is, do you have to know where the "bias" is? Then try to adjust in the right direction to reduce the degree of "biased". This way, you will be able to enjoy balanced musicality. If you can't reflect on your "bias", you will often fall into the fog of "others are wrong, only me." So, how can we avoid the "bias" of the sound system? First of all, you must open your heart and admit that there will be a "biased" fact. Then, with a broader inclusiveness, review the differences between your audio system and others.
Five CDs have come back as a tool for detecting biased tools. For a person with little experience in audio, even if you have the heart to test how much "bias" you have, you may not be able to start. Here, I provide five CDs as a tool to test the degree of "bias" of my audio system. With these five easy-to-buy CDs, you can do cross-tests for yourself. Perhaps, you would say: Are these five CDs selected under your own "bias"? Can you use my bias to cure my bias? You make sense, but I have tried to reduce the possibility of this bias. Because these five CDs have been tested on many different occasions, not just on my own system. Also, these five CDs have been tested on my electrostatic headset system. I still remember that I can adjust the sound to "use headphones as a teacher"? Because the earphones suffer the least pollution, it only passes through the source, without the pollution of the front, back, speakers and space. Its credibility should be the highest. Therefore, the five CDs I selected should be used as a biased test tool.
The first level, the high frequency can not be sharp and harsh, the CD used to have the sweetness of the first level is "four seasons." This "Four Seasons" is led by Giuliano Carmignola (Divox CDX 79404). He devoted himself to the study of music in the early 18th century, and used the instruments of the time and the manuscripts of the time to try to understand the musical interpretations of the time. Therefore, although the version of the four seasons is full of the world, his interpretation is very creative (or return to the origin), full of vitality, no stagnation, is a very worthy performance. Because the instrument used in this orchestra is an antique instrument, its sound lines are clearer and thinner than the modern string group, and the tone is harder. However, the clear sound and bright sound that it emits, as well as the sweet taste, are also very charming. Moreover, the orchestra's compilation is very small, only eight or nine people, so the performance of each instrument is very clear.
When listening to this CD, if you sound like the sound is too hard, the string only shows a thin, sharp and harsh line, and you can't enjoy the sweetness at all. That means your sound system is biased too bright and sharp, and the amount of intermediate and low frequencies may not be enough. Also, since the orchestra does not have a low-frequency "heavy weapon", the entire CD is kept in a clear, transparent, light and smart atmosphere. Under such an atmosphere, you can feel the slight elasticity of the low frequency band.
Remind you again that the quality of this CD is clear and bright, but with a sweet taste. If there is no sweetness, or if there is more low frequency, it is not right. What's more, it sounds sharp and harsh.
The second level, the intermediate frequency should be full, and the second level must be clear. I will use this "single choir" (Philips 456 653-2) written in the "Editor's Private CD". This CD is a male choir composed of tenors, baritone and bass, and their range is fully included in the mid-range. If you listen to this CD and feel that the intermediate frequency is too thick, it is too thick to be opened, which means that the lower end of the middle frequency band (near the low frequency) is too much. So much sense of volume not only makes the sound dye, but also slows down the sound and suppresses the sense of life. At this point, the music you hear will be dull and dull.
If you listen to this CD, you feel that the sound is not full and rich, you can't feel the handsome harmony of the male chorus, and the chorus is not full of the entire sound field. Obviously, your audio system has a weak intermediate frequency. As long as the intermediate frequency is weak, your sound will change from color to black and white, and most of the music will not be heard for a long time.
A truly outstanding chorus conductor will make the chorus have a harmonious harmony and clear voice performance. This CD has these two advantages. In fact, this is the balance of chorus. If you listen to this CD, you feel that "the tablet is sluggish" and cannot be touched by its music, that is, there is a problem in the middle band. By the way, although the mid-range is the most important part, it cannot be unrestrained. If the mid-range is too much, it will still destroy the overall balance of music. You must not check this.
The third level, the low frequency should be flexible, not turbid.
The CD used in the third level is Janis Ian's "Breaking Silence" (Morgan Creek 2959-20023-2). From the first beginning, the low-frequency part should show the elasticity and Q-ability of the dive ability, and it is better to have the low-frequency shadow. The so-called "shadow" is the sense of hearing in which the low frequency naturally extends and disappears. If the extension is unnatural, the low frequency will disappear, and there will be no shadow and no elasticity. I emphasize that you should find this feeling in every song on this CD.
If you are listening to the third and fourth heads, you still can't feel the low-frequency elasticity and shadow, and feel that the low-frequency sense is not enough. This means that your audio system lacks the proper amount of volume in the mid-low frequency and low-frequency parts. On the other hand, if you listen to the third and the fourth, you feel that the low frequency is too much, and you have begun to reach the point of turbidity, which means that the middle and low frequency and the low frequency are too much, and the control is too bad.
Please note that this CD will not be harsh in any way, and will not be cloudy. If you just don't get irritated or turbid, but you don't enjoy flexibility and Q, you can only say that "bias" is not serious, but it is not yet in the middle. If you are not only flexible and Q degree, but also can clearly hear the texture of low-frequency instruments, know what those instruments are making sound, then hit the hearts.
The fourth level, the details of the sound should be like the wings of the dragon in the vibration. The CD I want to use is Mendel's "A Midsummer Night's Dream" (Preiwen directs the London Symphony Orchestra. EMI version). In the first "overture", there are many places in the string group that are both whispering and clear, just like a large group of dragonflies on the water's edge. If you hear the subtle performance of this string of strings without the violin texture, no sweetness, no clear transparency, and will not make you feel moved, it means your sound system is not sensitive enough. As for what would be not sensitive enough? May be on the horn.
In addition, the strength and weakness of this CD is quite strong. If you feel too noisy and too harsh when you play strong, the whole string group loses the beauty of the string, it means that the sound system is not strong or weak. Big. In such a clear situation, you may not get the subtle and magnificent beauty of most orchestral music.
In addition to the subtleties of the string, we also have to listen to the subtleties of woodwind. If the wood tube does not hear all kinds of subtle sounds (including buttons, blowing, etc.), the true texture of the wood tube will not come out, and the luster and sweetness of the wood tube will not come out. At this point, the beauty of the music you hear has been greatly reduced.
Vocals can also be used for testing on this CD. In the fourth paragraph, the vocals show that if the vocals are not live enough, the high and low stagnation response is not fast enough, it fully shows that your sound system has a living feeling, and the instantaneous reaction and speed are not enough.
Finally, add a tip. There are many places in this CD that have low-frequency hum, and if you can't hear the hum, it means that your audio system has low-frequency regenerative power. At this point, I believe that if you listen to this CD, you will feel that the low-frequency band is not enough, and the sound tends to be high. If you hear a strong and obvious buzz, it means that the low frequency band is excessive. The more appropriate situation is that it sounds very clear, but there is no sense of oppression, as if the low frequency of the organ hits, it will not interfere with the appreciation of music. If you don't know where to look for buzz, try it for 4 minutes and 10 seconds.
The fifth level, the overall balance is not enough?
There is no doubt that I want to choose the Beethoven's sixth symphony "The Pastoral" directed by Walter (Walter Conducts the Columbia Orchestra, CBS version). Here, I want to ask you to think about it. Will Beethoven write the pastoral as a very low-frequency music? No, because the symphony orchestra of that era did not have the scale of hundreds of people. The era was balanced by rationality. Will Walter command Beethoven's "Country" as a symphony of Mahler? Nor will it. Although Walter is a student of Mahler, his "landscape" is full of balanced harmony. So, if you hear a rough voice; you hear too much low frequency, it is already off.
In this CD, it can be said that every element of music has it. You should be able to enjoy the texture of the string group, whether it is a violin or a cello or a double bass. If you can't hear the texture and beauty of the string group, then it's not right. Also, is the string group you heard shiny? Is it sweet? Is the wood tube you hear shiny and sweet? If not, Walt's subtle balance has been destroyed by your sound system.
Finally, I have to ask, are you really listening to the performance of this CD? Still people are clouds, have to say moving? If you listen to this CD, you will always feel "sweet" and have "glossy", "vigorous", "life", "rich", "full" and "texture" (all seven items are required). The sound has always surrounded you, the whole music is not boring and tired, but you can deeply enjoy the balance between the sound and the music. That's right. At this point, even if your audio system is "biased," it is only a minor condition.
On the other hand, if you listen to it, you can't feel the beauty of the music I mentioned above. Instead, I doubt that there is something outstanding about the interpretation of this CD. If you suspect that the recording effect of this CD is fascinating, then This means that your audio system is quite "biased". "Mission" ruined the balance of beauty of the entire music.
Although I have listed five CDs to test the five levels, please don't misunderstand that the five CDs can only test those parts. In fact, these five CDs can fully enjoy the beauty of balanced music. As long as your audio system is not too "biased", you should feel that the recordings of these five CDs are very beautiful. If there is a "bias", these five CDs will sound problematic.
The most important thing to listen to is to be able to enjoy the beauty of music. Whether it is pop music or classical music, as long as it is balanced when reproducing music, they will be moving. If you have been struggling with the unpleasant mud, or always think that only a few CDs are good, please open your mind and start to correct your "bias"! | Most audio fans will have this experience: how good feel yourself at home recording, get another home performance is not how? The same, listening to someone else's home, I feel good recordings, and getting to my own home is not so good? Why is there such a result? The problem is clearly in the word "Bias".
Everyone's sound system will be biased somewhat, why is this "biased"? The fact is that most people in their homes will have their own sound system that has a particular tendency to one side because of equipment mix and space factors. This feature can be called "biased". What will happen to "biased"? Some CD recordings are just right for your "bias", while others are not. If you are suitable, you will think that it is a good recording. If you are not suitable, you will feel that the recording is not good. Usually, the sound system is more "biased". When listening to music, the more CDs you have, the better the recording is. Most CDs will feel that the recording is not acceptable. The less the audio system is "biased", the wider the recording effect will be accepted.
Perhaps you will ask, is this because there is no "bias", you will feel that all the recordings are very good? Do not! There is a general standard for the quality of the recording, and it will not become a good recording because there is no "bias". What I want to say is that the more there is no "biased" sound system, the more it is acceptable for the recording effects of various CDs, and it will not be felt. However, if you want to seriously judge whether the recording is good or bad, there is still a high score. Of course, the recording effect is always a relatively small party.
Bias will make people think that only I am right, the rest are wrong.
What harm does the audio system have if it is "biased"? First, because of the "bias" of the sound system, we tend to be blinded and not knowing ourselves. It is easy to fall into the trap of adjusting the sound toward the tip of the horn. Secondly; also because of "biasedness", we tend to have a tendency to make certain recordings, but not incompatible with others. I often emphasize that the most important thing to adjust the sound is "the overall balance." If the sound is out of balance, it is a serious distortion of the music that the musicians have painstakingly played. When the music is distorted, the music played by the first-rate musicians will become the same as the musicians who are not in the stream. Similarly, if your sound system is "biased", the more balanced your sound balance is, the more distorted it is. In such a situation, you have a real chance to enjoy the beauty of music.
How can we avoid the "bias" of the sound system? Here I want to stress once again that everyone's audio system will inevitably be "biased" and there will be no exceptions. The point of the question is, do you have to know where the "bias" is? Then try to adjust in the right direction to reduce the degree of "biased". This way, you will be able to enjoy balanced musicality. If you can't reflect on your "bias", you will often fall into the fog of "others are wrong, only me." So, how can we avoid the "bias" of the sound system? First of all, you must open your heart and admit that there will be a "biased" fact. Then, with a broader inclusiveness, review the differences between your audio system and others.
Five CDs have come back as a tool for detecting biased tools. For a person with little experience in audio, even if you have the heart to test how much "bias" you have, you may not be able to start. Here, I provide five CDs as a tool to test the degree of "bias" of my audio system. With these five easy-to-buy CDs, you can do cross-tests for yourself. Perhaps, you would say: Are these five CDs selected under your own "bias"? Can you use my bias to cure my bias? You make sense, but I have tried to reduce the possibility of this bias. Because these five CDs have been tested on many different occasions, not just on my own system. Also, these five CDs have been tested on my electrostatic headset system. I still remember that I can adjust the sound to "use headphones as a teacher"? Because the earphones suffer the least pollution, it only passes through the source, without the pollution of the front, back, speakers and space. Its credibility should be the highest. Therefore, the five CDs I selected should be used as a biased test tool.
The first level, the high frequency can not be sharp and harsh, the CD used to have the sweetness of the first level is "four seasons." This "Four Seasons" is led by Giuliano Carmignola (Divox CDX 79404). He devoted himself to the study of music in the early 18th century, and used the instruments of the time and the manuscripts of the time to try to understand the musical interpretations of the time. Therefore, although the version of the four seasons is full of the world, his interpretation is very creative (or return to the origin), full of vitality, no stagnation, is a very worthy performance. Because the instrument used in this orchestra is an antique instrument, its sound lines are clearer and thinner than the modern string group, and the tone is harder. However, the clear sound and bright sound that it emits, as well as the sweet taste, are also very charming. Moreover, the orchestra's compilation is very small, only eight or nine people, so the performance of each instrument is very clear.
When listening to this CD, if you sound like the sound is too hard, the string only shows a thin, sharp and harsh line, and you can't enjoy the sweetness at all. That means your sound system is biased too bright and sharp, and the amount of intermediate and low frequencies may not be enough. Also, since the orchestra does not have a low-frequency "heavy weapon", the entire CD is kept in a clear, transparent, light and smart atmosphere. Under such an atmosphere, you can feel the slight elasticity of the low frequency band.
Remind you again that the quality of this CD is clear and bright, but with a sweet taste. If there is no sweetness, or if there is more low frequency, it is not right. What's more, it sounds sharp and harsh.
The second level, the intermediate frequency should be full, and the second level must be clear. I will use this "single choir" (Philips 456 653-2) written in the "Editor's Private CD". This CD is a male choir composed of tenors, baritone and bass, and their range is fully included in the mid-range. If you listen to this CD and feel that the intermediate frequency is too thick, it is too thick to be opened, which means that the lower end of the middle frequency band (near the low frequency) is too much. So much sense of volume not only makes the sound dye, but also slows down the sound and suppresses the sense of life. At this point, the music you hear will be dull and dull.
If you listen to this CD, you feel that the sound is not full and rich, you can't feel the handsome harmony of the male chorus, and the chorus is not full of the entire sound field. Obviously, your audio system has a weak intermediate frequency. As long as the intermediate frequency is weak, your sound will change from color to black and white, and most of the music will not be heard for a long time.
A truly outstanding chorus conductor will make the chorus have a harmonious harmony and clear voice performance. This CD has these two advantages. In fact, this is the balance of chorus. If you listen to this CD, you feel that "the tablet is sluggish" and cannot be touched by its music, that is, there is a problem in the middle band. By the way, although the mid-range is the most important part, it cannot be unrestrained. If the mid-range is too much, it will still destroy the overall balance of music. You must not check this.
The third level, the low frequency should be flexible, not turbid.
The CD used in the third level is Janis Ian's "Breaking Silence" (Morgan Creek 2959-20023-2). From the first beginning, the low-frequency part should show the elasticity and Q-ability of the dive ability, and it is better to have the low-frequency shadow. The so-called "shadow" is the sense of hearing in which the low frequency naturally extends and disappears. If the extension is unnatural, the low frequency will disappear, and there will be no shadow and no elasticity. I emphasize that you should find this feeling in every song on this CD.
If you are listening to the third and fourth heads, you still can't feel the low-frequency elasticity and shadow, and feel that the low-frequency sense is not enough. This means that your audio system lacks the proper amount of volume in the mid-low frequency and low-frequency parts. On the other hand, if you listen to the third and the fourth, you feel that the low frequency is too much, and you have begun to reach the point of turbidity, which means that the middle and low frequency and the low frequency are too much, and the control is too bad.
Please note that this CD will not be harsh in any way, and will not be cloudy. If you just don't get irritated or turbid, but you don't enjoy flexibility and Q, you can only say that "bias" is not serious, but it is not yet in the middle. If you are not only flexible and Q degree, but also can clearly hear the texture of low-frequency instruments, know what those instruments are making sound, then hit the hearts.
The fourth level, the details of the sound should be like the wings of the dragon in the vibration. The CD I want to use is Mendel's "A Midsummer Night's Dream" (Preiwen directs the London Symphony Orchestra. EMI version). In the first "overture", there are many places in the string group that are both whispering and clear, just like a large group of dragonflies on the water's edge. If you hear the subtle performance of this string of strings without the violin texture, no sweetness, no clear transparency, and will not make you feel moved, it means your sound system is not sensitive enough. As for what would be not sensitive enough? May be on the horn.
In addition, the strength and weakness of this CD is quite strong. If you feel too noisy and too harsh when you play strong, the whole string group loses the beauty of the string, it means that the sound system is not strong or weak. Big. In such a clear situation, you may not get the subtle and magnificent beauty of most orchestral music.
In addition to the subtleties of the string, we also have to listen to the subtleties of woodwind. If the wood tube does not hear all kinds of subtle sounds (including buttons, blowing, etc.), the true texture of the wood tube will not come out, and the luster and sweetness of the wood tube will not come out. At this point, the beauty of the music you hear has been greatly reduced.
Vocals can also be used for testing on this CD. In the fourth paragraph, the vocals show that if the vocals are not live enough, the high and low stagnation response is not fast enough, it fully shows that your sound system has a living feeling, and the instantaneous reaction and speed are not enough.
Finally, add a tip. There are many places in this CD that have low-frequency hum, and if you can't hear the hum, it means that your audio system has low-frequency regenerative power. At this point, I believe that if you listen to this CD, you will feel that the low-frequency band is not enough, and the sound tends to be high. If you hear a strong and obvious buzz, it means that the low frequency band is excessive. The more appropriate situation is that it sounds very clear, but there is no sense of oppression, as if the low frequency of the organ hits, it will not interfere with the appreciation of music. If you don't know where to look for buzz, try it for 4 minutes and 10 seconds.
The fifth level, the overall balance is not enough?
There is no doubt that I want to choose the Beethoven's sixth symphony "The Pastoral" directed by Walter (Walter Conducts the Columbia Orchestra, CBS version). Here, I want to ask you to think about it. Will Beethoven write the pastoral as a very low-frequency music? No, because the symphony orchestra of that era did not have the scale of hundreds of people. The era was balanced by rationality. Will Walter command Beethoven's "Country" as a symphony of Mahler? Nor will it. Although Walter is a student of Mahler, his "landscape" is full of balanced harmony. So, if you hear a rough voice; you hear too much low frequency, it is already off.
In this CD, it can be said that every element of music has it. You should be able to enjoy the texture of the string group, whether it is a violin or a cello or a double bass. If you can't hear the texture and beauty of the string group, then it's not right. Also, is the string group you heard shiny? Is it sweet? Is the wood tube you hear shiny and sweet? If not, Walt's subtle balance has been destroyed by your sound system.
Finally, I have to ask, are you really listening to the performance of this CD? Still people are clouds, have to say moving? If you listen to this CD, you will always feel "sweet" and have "glossy", "vigorous", "life", "rich", "full" and "texture" (all seven items are required). The sound has always surrounded you, the whole music is not boring and tired, but you can deeply enjoy the balance between the sound and the music. That's right. At this point, even if your audio system is "biased," it is only a minor condition.
On the other hand, if you listen to it, you can't feel the beauty of the music I mentioned above. Instead, I doubt that there is something outstanding about the interpretation of this CD. If you suspect that the recording effect of this CD is fascinating, then This means that your audio system has a very serious "bias". "Mission" ruined the balance of beauty of the entire music.
Although I have listed five CDs to test the five levels, please don't misunderstand that the five CDs can only test those parts. In fact, these five CDs can fully enjoy the beauty of balanced music. As long as your audio system is not too "biased", you should feel that the recordings of these five CDs are very beautiful. If there is a "bias", these five CDs will sound problematic.
The most important thing to listen to is to be able to enjoy the beauty of music. Whether it is pop music or classical music, as long as it is balanced when reproducing music, they will be moving. If you have been struggling with the unpleasant mud, or always think that only a few CDs are good, please open your mind and start to correct your "bias"! | Most audio fans will have this experience: how good feel yourself at home recording, get another home performance is not how? The same, listening to someone else's home, I feel good recordings, and getting to my own home is not so good? Why is there such a result? The problem is clearly in the word "Bias".
Everyone's sound system will be biased somewhat, why is this "biased"? The fact is that most people in their homes will have their own sound system that has a particular tendency to one side because of equipment mix and space factors. This feature can be called "biased". What will happen to "biased"? Some CD recordings are just right for your "bias", while others are not. If you are suitable, you will think that it is a good recording. If you are not suitable, you will feel that the recording is not good. Usually, the sound system is more "biased". When listening to music, the more CDs you have, the better the recording is. Most CDs will feel that the recording is not acceptable. The less the audio system is "biased", the wider the recording effect will be accepted.
Perhaps you will ask, is this because there is no "bias", you will feel that all the recordings are very good? Do not! There is a general standard for the quality of the recording, and it will not become a good recording because there is no "bias". What I want to say is that the more there is no "biased" sound system, the more it is acceptable for the recording effects of various CDs, and it will not be felt. However, if you want to seriously judge whether the recording is good or bad, there is still a high score. Of course, the recording effect is always a relatively small party.
Bias will make people think that only I am right, the rest are wrong.
What harm does the audio system have if it is "biased"? First, because of the "bias" of the sound system, we tend to be blinded and not knowing ourselves. It is easy to fall into the trap of adjusting the sound toward the tip of the horn. Secondly; also because of "biasedness", we tend to have a tendency to make certain recordings, but not incompatible with others. I often emphasize that the most important thing to adjust the sound is "the overall balance." If the sound is out of balance, it is a serious distortion of the music that the musicians have painstakingly played. When the music is distorted, the music played by the first-rate musicians will become the same as the musicians who are not in the stream. Similarly, if your sound system is "biased", the more balanced your sound balance is, the more distorted it is. In such a situation, you have a real chance to enjoy the beauty of music.
How can we avoid the "bias" of the sound system? Here I want to stress once again that everyone's audio system will inevitably be "biased" and there will be no exceptions. The point of the question is, do you have to know where the "bias" is? Then try to adjust in the right direction to reduce the degree of "biased". This way, you will be able to enjoy balanced musicality. If you can't reflect on your "bias", you will often fall into the fog of "others are wrong, only me." So, how can we avoid the "bias" of the sound system? First of all, you must open your heart and admit that there will be a "biased" fact. Then, with a broader inclusiveness, review the differences between your audio system and others.
Five CDs have come back as a tool for detecting biased tools. For a person with little experience in audio, even if you have the heart to test how much "bias" you have, you may not be able to start. Here, I provide five CDs as a tool to test the degree of "bias" of my audio system. With these five easy-to-buy CDs, you can do cross-tests for yourself. Perhaps, you would say: Are these five CDs selected under your own "bias"? Can you use my bias to cure my bias? You make sense, but I have tried to reduce the possibility of this bias. Because these five CDs have been tested on many different occasions, not just on my own system. Also, these five CDs have been tested on my electrostatic headset system. I still remember that I can adjust the sound to "use headphones as a teacher"? Because the earphones suffer the least pollution, it only passes through the source, without the pollution of the front, back, speakers and space. Its credibility should be the highest. Therefore, the five CDs I selected should be used as a biased test tool.
The first level, the high frequency can not be sharp and harsh, the CD used to have the sweetness of the first level is "four seasons." This "Four Seasons" is led by Giuliano Carmignola (Divox CDX 79404). He devoted himself to the study of music in the early 18th century, and used the instruments of the time and the manuscripts of the time to try to understand the musical interpretations of the time. Therefore, although the version of the four seasons is full of the world, his interpretation is very creative (or return to the origin), full of vitality, no stagnation, is a very worthy performance. Because the instrument used in this orchestra is an antique instrument, its sound lines are clearer and thinner than the modern string group, and the tone is harder.ä¸è¿‡ï¼Œå®ƒæ‰€å‘出æ¥çš„明朗音质以åŠäº®ä¸½çš„音色，还有甜甜的味é“å´ä¹Ÿéžå¸¸è¿·äººã€‚å†è€…，这个ä¹å›¢çš„编制很å°ï¼Œåªæœ‰å…«ã€ä¹çš„人，所以æ¯ç§ä¹å™¨çš„表现都éžå¸¸æ¸…楚。
在å¬è¿™å¼ CD时，如果您å¬èµ·æ¥è§‰å¾—声音硬得ä¸èˆ’æœï¼Œå¼¦ä¹åªè¡¨çŽ°å‡ºå•è–„çš„å°–é”刺耳线æ¡ï¼Œæ ¹æœ¬äº«å—ä¸åˆ°ç”œå‘³ã€‚那就表示您的音å“系统åå‘过于明亮ã€å°–é”çš„æ–¹å‘，ä¸é¢‘与低频的é‡æ„Ÿå¯èƒ½éƒ½ä¸è¶³ã€‚还有，由于这个ä¹å›¢å¹¶æ²¡æœ‰ä½Žé¢‘的「é‡å…µå™¨ã€ï¼Œå› æ¤ï¼Œæ•´å¼ CDéšæ—¶éƒ½ä¿æŒåœ¨æ¸…澈é€æ˜Žã€è½»ç›ˆçµå·§çš„气氛ä¸ã€‚è€Œåœ¨è¿™æ ·çš„æ°”æ°›ä¹‹ä¸‹ï¼Œæ‚¨åˆå¯ä»¥æ„Ÿå—到低频段轻微的弹性。
å†æ¬¡æé†’æ‚¨ï¼Œè¿™å¼ CD的特质是明晰亮丽，但是带有甜味。如果没有甜味ã€æˆ–是低频多而浓都ä¸å¯¹ã€‚æ›´ç‰è€Œä¸‹ä¹‹çš„就是å¬èµ·æ¥å°–é”刺耳。
第二关，ä¸é¢‘è¦é¥±æ»¡è¦ä¸°æ¶¦ä¹Ÿè¦æ¸…楚第二关我è¦ç”¨è¿™æœŸæˆ‘写在「总编的ç§æˆ¿CDã€ä¸é‚£å¼ 「å•èº«æ±‰åˆå”±å›¢ã€ï¼ˆPhilips 456 653-2）æ¥è¯•ã€‚è¿™å¼ CD是个男声åˆå”±å›¢ï¼Œç”±ç”·é«˜éŸ³ã€ç”·ä¸éŸ³ä¸Žç”·ä½ŽéŸ³ç»„æˆï¼Œä»–们的音域完全包括在ä¸é¢‘段ä¸ã€‚å‡è‹¥å¬è¿™å¼ CD时觉得ä¸é¢‘太浓，浓得有一点化ä¸å¼€ï¼Œé‚£å°±ä»£è¡¨ä¸é¢‘段的下端（接近ä¸ä½Žé¢‘处）é‡æ„Ÿå¤ªå¤šäº†ã€‚这么多的é‡æ„Ÿä¸ä»…会让声音染色，而且还会拖慢声音的速度感与压抑活生感。æ¤æ—¶ï¼Œæ‚¨æ‰€å¬åˆ°çš„音ä¹è¿˜ä¼šæœ‰å‘†æ»žæ²ˆé—·çš„感觉。
å‡è‹¥å¬è¿™å¼ CD时觉得声音ä¸ç®—饱满丰润，感å—ä¸åˆ°ç”·å£°åˆå”±å›¢æµ‘厚的和声美感，åˆå”±ä¹Ÿæ²¡æœ‰å……满整个音场。很明显，您的音å“系统有ä¸é¢‘薄弱的问题。ä¸é¢‘åªè¦ä¸€è–„弱，您的音å“就会从彩色å˜é»‘白的，大部份的音ä¹æ€Žä¹ˆå¬éƒ½ä¸è€ä¹…å¬ã€‚
一个真æ£æ°å‡ºçš„åˆå”±æŒ‡æŒ¥ä¼šè®©åˆå”±å…¼æœ‰å’Œè°çš„和声之美与清楚的å„å£°éƒ¨è¡¨çŽ°ï¼Œè¿™å¼ CD就具有这二项优点，其实这就是åˆå”±çš„平衡之美。如果您å¬è¿™å¼ CD时，觉得「平æ¿å‘†æ»žã€ï¼Œæ— 法被它的音ä¹æ„ŸåŠ¨ï¼Œé‚£å°±æ˜¯ä¸é¢‘段有问题了。对了，虽然ä¸é¢‘段是最é‡è¦çš„部份，但是也ä¸èƒ½æ— 节制的「多ã€ã€‚ä¸é¢‘段如果过分的多，ä»ç„¶ä¼šç ´å音ä¹æ•´ä½“的平衡性，这点您ä¸å¯ä¸æŸ¥ã€‚
第三关，低频è¦Qè¦æœ‰å¼¹æ€§ï¼Œä¸èƒ½æµ‘浊。
第三关所用的CD是Janis Ian的「Breaking Silenceã€ï¼ˆMorgan Creek 2959-20023-2）。从第一首开始，低频的部份就è¦è¡¨çŽ°å‡ºæœ‰ä¸‹æ½œèƒ½åŠ›çš„弹性与Q性，最好还è¦æœ‰ä½Žé¢‘çš„å½±å。所谓「影åã€å°±æ˜¯ä½Žé¢‘自然延伸消失的å¬æ„Ÿï¼Œå¦‚果延伸ä¸è‡ªç„¶ï¼Œä½Žé¢‘硬生生消失，就ä¸ä¼šæœ‰å½±å，也ä¸ä¼šæœ‰å¼¹æ€§ã€‚æˆ‘å¼ºè°ƒåœ¨è¿™å¼ CDä¸çš„æ¯ä¸€é¦–æŒä¸ï¼Œæ‚¨åº”该都å¯ä»¥æ‰¾åˆ°è¿™ç§æ„Ÿè§‰ã€‚
如果您在å¬ç¬¬ä¸‰ã€ç¬¬å››é¦–时，ä»ç„¶æ„Ÿå—ä¸åˆ°æ°å¥½çš„低频弹性与影å，也觉得低频é‡æ„Ÿä¸å¤Ÿã€‚这就代表ç€æ‚¨çš„音å“系统在ä¸ä½Žé¢‘ä¸Žä½Žé¢‘è¿™éƒ¨ä»½æ¬ ç¼ºé€‚å½“çš„é‡æ„Ÿã€‚å之，如果在å¬ç¬¬ä¸‰ã€åœ°å››é¦–时，您觉得低频é‡æ„Ÿå¤ªå¤šï¼Œå·²ç»å¼€å§‹åˆ°è¾¾æµ‘浊的地æ¥ï¼Œé‚£å°±ä»£è¡¨ç€ä¸ä½Žé¢‘与低频é‡æ„Ÿå¤ªå¤šï¼Œä»¥åŠæŽ§åˆ¶åŠ›å¤ªå·®ã€‚
请注æ„ï¼Œè¿™å¼ CDæ— è®ºå¦‚ä½•ä¹Ÿä¸ä¼šåˆºè€³ï¼ŒåŒæ—¶ä¹Ÿä¸ä¼šæµ‘浊。如果您åªæ˜¯è¾¾åˆ°ä¸ä¼šåˆºè€³ä¹Ÿä¸ä¼šæµ‘浊，但没有享å—到弹性与Q性，那åªèƒ½è¯´ã€Œå颇ã€å¾—ä¸ä¸¥é‡ï¼Œä½†æ˜¯è¿˜æ²¡ä¸€çŸ¢ä¸çš„。如果您除了弹性与Q度之外，åŒæ—¶è¿˜éƒ½èƒ½å¾ˆæ¸…楚的å¬å‡ºä½Žé¢‘ä¹å™¨çš„质感，知é“那些是什么ä¹å™¨åœ¨å‘声，那就命ä¸çº¢å¿ƒäº†ã€‚
第四关，声音的细节è¦åƒèœ»èœ“的翅膀在振动这关我è¦ç”¨çš„CD是门德尔颂的「仲å¤å¤œä¹‹æ¢¦ã€ï¼ˆæ™®çƒˆæ–‡æŒ‡æŒ¥ä¼¦æ•¦äº¤å“ä¹å›¢ã€‚EMI 版）。在第一段「åºæ›²ã€ä¸ï¼Œå¼¦ä¹ç¾¤æœ‰è®¸å¤šåœ°æ–¹çš„å¼±å¥è¡¨çŽ°æ—¢å°å£°åˆæ¸…晰，就好åƒæ°´è¾¹ä¸€å¤§ç¾¤èœ»èœ“振翅。如果您å¬åˆ°çš„这群弦ä¹ç»†å¾®çš„æ¼”å¥æ²¡æœ‰å°æç´çš„质感，没有甜味，也没有清晰的é€æ˜Žæ„Ÿï¼Œä¹Ÿä¸ä¼šè®©æ‚¨ç”±è¡·æ„ŸåŠ¨çš„è¯ï¼Œé‚£å°±è¡¨ç¤ºæ‚¨çš„音å“系统ä¸å¤Ÿçµæ•ã€‚至于会是那里ä¸å¤Ÿçµæ•ï¼Ÿå¯èƒ½ä¼šå‡ºåœ¨å–‡å身上。
æ¤å¤–ï¼Œè¿™å¼ CD的强弱对比相当强烈，如果在强å¥çš„时候您会觉得太åµå¤ªåˆºè€³ï¼Œæ•´ä¸ªå¼¦ä¹ç¾¤å¤±åŽ»å¼¦ä¹çš„美感时，那就表示您的音å“系统强弱对比的幅度ä¸å¤§ã€‚åœ¨è¿™æ ·çš„æ¸…å†µä¸‹ï¼Œæ‚¨å¬å¤§éƒ¨ä»½çš„管弦ä¹å¯èƒ½éƒ½å¾—ä¸åˆ°èƒ½ç»†å¾®åˆèƒ½å£®é˜”的美感。
除了弦ä¹çš„细微处之外，我们还è¦å¬æœ¨ç®¡ä¹çš„细微处。å‡è‹¥æœ¨ç®¡æ²¡æœ‰å¬åˆ°å„ç§ç»†å¾®çš„声音（包括按键ã€å¹æ°”ç‰ï¼‰ï¼Œæœ¨ç®¡çš„真æ£è´¨æ„Ÿå°±å‡ºä¸æ¥ï¼Œæœ¨ç®¡çš„光泽与甜味也åŒæ ·å‡ºä¸æ¥ã€‚æ¤æ—¶ï¼Œæ‚¨æ‰€å¬åˆ°çš„音ä¹ç¾Žæ„Ÿå·²ç»å¤§æ‰“折扣。
äººå£°åœ¨è¿™å¼ CDä¸ä¹Ÿå¯ä»¥ç”¨æ¥æµ‹è¯•ã€‚在第四段的人声表现出，如果人声ä¸å¤Ÿæ´»ï¼Œé«˜é«˜ä½Žä½Žçš„抑扬顿挫å应ä¸å¤Ÿå¿«ï¼Œé‚£éƒ½å……分显示出您的音å“系统活生感有问题，瞬时å应与速度感都ä¸å¤Ÿã€‚
最åŽï¼ŒåŠ 给一个å°è´¹ã€‚è¿™å¼ CDä¸æœ‰è®¸å¤šåœ°æ–¹æœ‰ä½Žé¢‘辘声，å‡è‹¥å¬ä¸åˆ°è¾˜å£°ï¼Œè¡¨ç¤ºæ‚¨çš„音å“系统低频å†ç”Ÿèƒ½åŠ›æœ‰é—®é¢˜ã€‚æ¤æ—¶ï¼Œæˆ‘相信您å¬è¿™å¼ CD也会感觉低频段é‡æ„Ÿä¸å¤Ÿï¼Œå£°éŸ³éƒ½å€¾å‘ä¸é«˜éƒ¨ä»½ã€‚若是å¬åˆ°å¾ˆå¼ºå¾ˆæ˜Žæ˜¾çš„辘声，则表示低频段有过é‡ä¹‹å«Œã€‚比较适当的情况是å¬èµ·æ¥å¾ˆæ¸…楚，但是å´åˆæ²¡æœ‰åŽ‹è¿«æ„Ÿï¼Œå¥½åƒç®¡é£Žç´çš„低频è¢æ¥ï¼Œä¸ä¼šå¹²æ‰°éŸ³ä¹çš„欣èµã€‚如果您ä¸çŸ¥é“è¦åœ¨é‚£é‡Œæ‰¾è¾˜å£°ï¼Œä¸å¦¨è¯•è¯•çœ‹4分10秒左å³ã€‚
第五关，整体的平衡性够ä¸å¤Ÿåœ†èžï¼Ÿ
æ¯«æ— ç–‘é—®ï¼Œæˆ‘è¦é€‰åŽå°”特指挥的è´å¤šèŠ¬ç¬¬å…å·äº¤å“曲「田å›ã€ï¼ˆåŽå°”特指挥哥伦比亚管弦ä¹å›¢ï¼ŒCBS版）。在æ¤ï¼Œæˆ‘è¦å…ˆè¯·æ‚¨æƒ³æƒ³çœ‹ï¼Œè´å¤šèŠ¬ä¼šæŠŠç”°å›å†™æˆä½Žé¢‘很浓é‡çš„ä¹æ›²å—？ä¸ä¼šï¼Œå› 为那个时代的交å“ä¹å›¢ç¼–制还没有上百人那ç§è§„模，那个时代讲究的是ç†æ€§çš„平衡。åŽå°”特会把è´å¤šèŠ¬çš„「田å›ã€æŒ‡æŒ¥å¾—åƒé©¬å‹’的交å“曲å—？也ä¸ä¼šã€‚åŽå°”特虽然是马勒的å¦ç”Ÿï¼Œä½†æ˜¯ä»–指挥的「田å›ã€å……满了平衡的和è°ç¾Žæ„Ÿã€‚所以，如果您å¬åˆ°å¤ªç²—暴的声音；您å¬åˆ°å¤ªæµ“é‡çš„低频，那都已ç»å了。
åœ¨è¿™å¼ CDä¸ï¼Œå¯è¯´æ¯ä¸€ç§éŸ³ä¹çš„è¦ç´ 都有了。您应该å¯ä»¥äº«å—到弦ä¹ç¾¤çš„è´¨æ„Ÿï¼Œæ— è®ºæ˜¯å°æç´æˆ–大æç´ã€ä½ŽéŸ³æç´çš†ç„¶ã€‚å‡è‹¥æ‚¨å¬ä¸åˆ°å¼¦ä¹ç¾¤çš„质感与美感，那就ä¸å¯¹äº†ã€‚还有，您å¬åˆ°çš„弦ä¹ç¾¤æœ‰å…‰æ³½å—？有甜味å—？您å¬åˆ°çš„木管有光泽ã€æœ‰ç”œå‘³å—？å‡è‹¥æ²¡æœ‰ï¼ŒåŽå°”特那精妙的平衡感也已ç»è¢«æ‚¨çš„音å“ç³»ç»Ÿç ´å了。
最åŽï¼Œæˆ‘è¦é—®ï¼Œæ‚¨å¬è¿™å¼ CDçš„æ¼”å¥æ˜¯å‡ºè‡ªå†…心真æ£çš„感动呢？还是人云亦云，ä¸å¾—ä¸è¯´æ„ŸåŠ¨ï¼Ÿå‡è‹¥æ‚¨å¬è¿™å¼ CD时，一直觉得「甜ã€è€Œæœ‰ã€Œå…‰æ³½ã€ã€æœ‰ã€Œæ´»åŠ›ã€ã€æœ‰ã€Œç”Ÿå‘½ã€ã€ã€Œä¸°æ¶¦ã€ã€ã€Œé¥±æ»¡ã€ã€æœ‰ã€Œè´¨æ„Ÿã€ï¼ˆè¿™ä¸ƒé¡¹éƒ½è¦æœ‰ï¼‰çš„声音一直包围ç€æ‚¨ï¼Œæ•´å¼ 音ä¹å¬ä¸‹æ¥ä¸€ç‚¹éƒ½ä¸è§‰æ— èŠã€åŠ³ç´¯ï¼Œå而能够深深的享å—到音å“效果与音ä¹çš„平衡美感，那就对了。æ¤æ—¶ï¼Œæ‚¨çš„音å“系统å³ä½¿è¿˜æœ‰ã€Œå颇ã€ï¼Œä¹Ÿåªæ˜¯è½»å¾®çš„状况而已。
å之，å‡è‹¥æ‚¨å¬æ¥å¬åŽ»ï¼Œéƒ½æ„Ÿå—ä¸åˆ°ä»¥ä¸Šæˆ‘所说的音ä¹ç¾Žæ„Ÿï¼Œåè€Œæ€€ç–‘è¿™å¼ CDçš„è¯ é‡Šé‚£æœ‰ä»€ä¹ˆæ°å‡ºä¹‹å¤„ã€æ€€ç–‘è¿™å¼ CD的录音效果那有迷人之处时，那就表示您的音å“系统有相当严é‡çš„「å颇ã€ã€‚「å颇ã€æŠŠæ•´ä¸ªéŸ³ä¹çš„平衡美感都æ¯æŽ‰äº†ã€‚
è™½ç„¶æˆ‘åˆ—ä¸¾äº”å¼ CDæ¥åšè¿‡äº”关的测试，但是请您ä¸è¦è¯¯è§£è¿™äº”å¼ CDåªèƒ½æµ‹è¯•å®ƒä»¬é‚£ä¸ªéƒ¨ä»½è€Œå·²ã€‚å…¶å®žè¿™äº”å¼ CD都能够充分的享å—平衡的音ä¹ä¹‹ç¾Žï¼Œåªè¦æ‚¨çš„音å“系统ä¸å…·æœ‰å¤ªå¼ºçš„「å颇ã€ï¼Œåº”è¯¥éƒ½ä¼šè§‰å¾—è¿™äº”å¼ CD的录音都很美。如果有「å颇ã€ï¼Œè¿™äº”å¼ CDå¬èµ·æ¥éƒ½ä¼šæœ‰é—®é¢˜ã€‚
å¬éŸ³å“最é‡è¦çš„就是è¦èƒ½å¤Ÿäº«å—到音ä¹ä¹‹ç¾Žï¼Œæ— 论是æµè¡ŒéŸ³ä¹æˆ–å¤å…¸éŸ³ä¹ï¼Œåªè¦æ˜¯å†ç”ŸéŸ³ä¹çš„时候能够得到平衡性，它们都会令人感动。å‡è‹¥æ‚¨ä¸€ç›´éƒ½åœ¨ä¸å¥½å¬çš„泥沼ä¸æŒ£æ‰Žï¼Œæˆ–者一直åªè§‰å¾—åªæœ‰å°‘æ•°å‡ å¼ CD好å¬æ—¶ï¼Œè¯·æ•žå¼€å¿ƒèƒ¸ï¼Œå¼€å§‹æ ¡æ£è‡ªå·±çš„「å颇ã€å§ï¼|
Everyone's sound system will be biased somewhat, why is this "biased"? The fact is that most people in their homes will have their own sound system that has a particular tendency to one side because of equipment mix and space factors. This feature can be called "biased". What will happen to "biased"? Some CD recordings are just right for your "bias", while others are not. If you are suitable, you will think that it is a good recording. If you are not suitable, you will feel that the recording is not good. Usually, the sound system is more "biased". When listening to music, the more CDs you have, the better the recording is. Most CDs will feel that the recording is not acceptable. The less the audio system is "biased", the wider the recording effect will be accepted.
Perhaps you will ask, is this because there is no "bias", you will feel that all the recordings are very good? Do not! There is a general standard for the quality of the recording, and it will not become a good recording because there is no "bias". What I want to say is that the more there is no "biased" sound system, the more it is acceptable for the recording effects of various CDs, and it will not be felt. However, if you want to seriously judge whether the recording is good or bad, there is still a high score. Of course, the recording effect is always a relatively small party.
Bias will make people think that only I am right, the rest are wrong.
What harm does the audio system have if it is "biased"? First, because of the "bias" of the sound system, we tend to be blinded and not knowing ourselves. It is easy to fall into the trap of adjusting the sound toward the tip of the horn. Secondly, because of the "bias", we tend to have a tendency to sing a certain kind of recording, and it is incompatible with others. I often emphasize that the most important thing to adjust the sound is "the overall balance." If the sound is out of balance, it is a serious distortion of the music that the musicians have painstakingly played. When the music is distorted, the music played by the first-rate musicians will become the same as the musicians who are not in the stream. Similarly, if your audio system is "biased", the more balanced your sound balance is, the more distorted it is. In such a situation, you have a real chance to enjoy the beauty of music.
How can we avoid the "bias" of the sound system? Here I want to stress once again that everyone's audio system will inevitably be "biased" and there will be no exceptions. The point of the question is, do you have to know where the "bias" is? Then try to adjust in the right direction to reduce the degree of "biased". This way, you will be able to enjoy balanced musicality. If you can't reflect on your "bias", you will often fall into the fog of "others are wrong, only me." So, how can we avoid the "bias" of the sound system? First of all, you must open your heart and admit that there will be a "biased" fact. Then, with a broader inclusiveness, review the differences between your audio system and others.
Five CDs have come back as a tool for detecting biased tools. For a person with little experience in audio, even if you have the heart to test how much "bias" you have, you may not be able to start. Here, I provide five CDs as a tool to test the degree of "bias" of my audio system. With these five easy-to-buy CDs, you can do cross-tests for yourself. Perhaps, you would say: Are these five CDs selected under your own "bias"? Can you use my bias to cure my bias? You make sense, but I have tried to reduce the possibility of this bias. Because these five CDs have been tested on many different occasions, not just on my own system. Also, these five CDs have been tested on my electrostatic headset system. I still remember that I can adjust the sound to "use headphones as a teacher"? Because the earphones suffer the least pollution, it only passes through the source, without the pollution of the front, back, speakers and space. Its credibility should be the highest. Therefore, the five CDs I selected should be used as a biased test tool.
The first level, the high frequency can not be sharp and harsh, the CD used to have the sweetness of the first level is "four seasons." This "Four Seasons" is led by Giuliano Carmignola (Divox CDX 79404). He devoted himself to the study of music in the early 18th century, and used the instruments of the time and the manuscripts of the time to try to understand the musical interpretations of the time. Therefore, although the version of the four seasons is full of the world, his interpretation is very creative (or return to the origin), full of vitality, no stagnation, is a very worthy performance. Because the instrument used in this orchestra is an antique instrument, its sound lines are clearer and thinner than the modern string group, and the tone is harder. However, the clear sound and bright sound that it emits, as well as the sweet taste, are also very charming. Moreover, the orchestra's compilation is very small, only eight or nine people, so the performance of each instrument is very clear.
When listening to this CD, if you sound like the sound is too hard, the string only shows a thin, sharp and harsh line, and you can't enjoy the sweetness at all. That means your sound system is biased too bright and sharp, and the amount of intermediate and low frequencies may not be enough. Also, since the orchestra does not have a low-frequency "heavy weapon", the entire CD is kept in a clear, transparent, light and smart atmosphere. Under such an atmosphere, you can feel the slight elasticity of the low frequency band.
Remind you again that the quality of this CD is clear and bright, but with a sweet taste. If there is no sweetness, or if there is more low frequency, it is not right. What's more, it sounds sharp and harsh.
The second level, the intermediate frequency should be full, and the second level must be clear. I will use this "single choir" (Philips 456 653-2) written in the "Editor's Private CD". This CD is a male choir composed of tenors, baritone and bass, and their range is fully included in the mid-range. If you listen to this CD and feel that the intermediate frequency is too thick, it is too thick to be opened, which means that the lower end of the middle frequency band (near the low frequency) is too much. So much sense of volume not only makes the sound dye, but also slows down the sound and suppresses the sense of life. At this point, the music you hear will be dull and dull.
If you listen to this CD, you feel that the sound is not full and rich, you can't feel the handsome harmony of the male chorus, and the chorus is not full of the entire sound field. Obviously, your audio system has a weak intermediate frequency. As long as the intermediate frequency is weak, your sound will change from color to black and white, and most of the music will not be heard for a long time.
A truly outstanding chorus conductor will make the chorus have a harmonious harmony and clear voice performance. This CD has these two advantages. In fact, this is the balance of chorus. If you listen to this CD, you feel that "the tablet is sluggish" and cannot be touched by its music, that is, there is a problem in the middle band. By the way, although the mid-range is the most important part, it cannot be unrestrained. If the mid-range is too much, it will still destroy the overall balance of music. You must not check this.
The third level, the low frequency should be flexible, not turbid.
The CD used in the third level is Janis Ian's "Breaking Silence" (Morgan Creek 2959-20023-2). From the first beginning, the low-frequency part should show the elasticity and Q-ability of the dive ability, and it is better to have the low-frequency shadow. The so-called "shadow" is the sense of hearing in which the low frequency naturally extends and disappears. If the extension is unnatural, the low frequency will disappear, and there will be no shadow and no elasticity. I emphasize that you should find this feeling in every song on this CD.
If you are listening to the third and fourth heads, you still can't feel the low-frequency elasticity and shadow, and feel that the low-frequency sense is not enough. This means that your audio system lacks the proper amount of volume in the mid-low frequency and low-frequency parts. On the other hand, if you listen to the third and the fourth, you feel that the low frequency is too much, and you have begun to reach the point of turbidity, which means that the middle and low frequency and the low frequency are too much, and the control is too bad.
Please note that this CD will not be harsh in any way, and will not be cloudy. If you just don't get irritated or turbid, but you don't enjoy flexibility and Q, you can only say that "bias" is not serious, but it is not yet in the middle. If you are not only flexible and Q degree, but also can clearly hear the texture of low-frequency instruments, know what those instruments are making sound, then hit the hearts.
The fourth level, the details of the sound should be like the wings of the dragon in the vibration. The CD I want to use is Mendel's "A Midsummer Night's Dream" (Preiwen directs the London Symphony Orchestra. EMI version). In the first "overture", there are many places in the string group that are both whispering and clear, just like a large group of dragonflies on the water's edge. If you hear the subtle performance of this string of strings without the violin texture, no sweetness, no clear transparency, and will not make you feel moved, it means your sound system is not sensitive enough. As for what would be not sensitive enough? May be on the horn.
In addition, the strength and weakness of this CD is quite strong. If you feel too noisy and too harsh when you play strong, the whole string group loses the beauty of the string, it means that the sound system is not strong or weak. Big. In such a clear situation, you may not get the subtle and magnificent beauty of most orchestral music.
In addition to the subtleties of the string, we also have to listen to the subtleties of woodwind. If the wood tube does not hear all kinds of subtle sounds (including buttons, blowing, etc.), the true texture of the wood tube will not come out, and the luster and sweetness of the wood tube will not come out. At this point, the beauty of the music you hear has been greatly reduced.
Vocals can also be used for testing on this CD. In the fourth paragraph, the vocals show that if the vocals are not live enough, the high and low stagnation response is not fast enough, it fully shows that your sound system has a living feeling, and the instantaneous reaction and speed are not enough.
Finally, add a tip. There are many places in this CD that have low-frequency hum, and if you can't hear the hum, it means that your audio system has low-frequency regenerative power. At this point, I believe that if you listen to this CD, you will feel that the low-frequency band is not enough, and the sound tends to be high. If you hear a strong and obvious buzz, it means that the low frequency band is excessive. The more appropriate situation is that it sounds very clear, but there is no sense of oppression, as if the low frequency of the organ hits, it will not interfere with the appreciation of music. If you don't know where to look for buzz, try it for 4 minutes and 10 seconds.
The fifth level, the overall balance is not enough?
There is no doubt that I want to choose the Beethoven's sixth symphony "The Pastoral" directed by Walter (Walter Conducts the Columbia Orchestra, CBS version). Here, I want to ask you to think about it. Will Beethoven write the pastoral as a very low-frequency music? No, because the symphony orchestra of that era did not have the scale of hundreds of people. The era was balanced by rationality. Will Walter command Beethoven's "Country" as a symphony of Mahler? Nor will it. Although Walter is a student of Mahler, his "landscape" is full of balanced harmony. So, if you hear a rough voice; you hear too much low frequency, it is already off.
In this CD, it can be said that every element of music has it. You should be able to enjoy the texture of the string group, whether it is a violin or a cello or a double bass. If you can't hear the texture and beauty of the string group, then it's not right. Also, is the string group you heard shiny? Is it sweet? Is the wood tube you hear shiny and sweet? If not, Walt's subtle balance has been destroyed by your sound system.
Finally, I have to ask, are you really listening to the performance of this CD? Still people are clouds, have to say moving? If you listen to this CD, you will always feel "sweet" and have "glossy", "vigorous", "life", "rich", "full" and "texture" (all seven items are required). The sound has always surrounded you, the whole music is not boring and tired, but you can deeply enjoy the balance between the sound and the music. That's right. At this point, even if your audio system is "biased," it is only a minor condition.
On the other hand, if you listen to it, you can't feel the beauty of the music I mentioned above. Instead, I doubt that there is something outstanding about the interpretation of this CD. If you suspect that the recording effect of this CD is fascinating, then This means that your audio system is quite "biased". "Mission" ruined the balance of beauty of the entire music.
Although I have listed five CDs to test the five levels, please don't misunderstand that the five CDs can only test those parts. In fact, these five CDs can fully enjoy the beauty of balanced music. As long as your audio system is not too "biased", you should feel that the recordings of these five CDs are very beautiful. If there is a "bias", these five CDs will sound problematic.
The most important thing to listen to is to be able to enjoy the beauty of music. Whether it is pop music or classical music, as long as it is balanced when reproducing music, they will be moving. If you have been struggling with the unpleasant mud, or always think that only a few CDs are good, please open your mind and start to correct your "bias"! | Most audio fans will have this experience: how good feel yourself at home recording, get another home performance is not how? The same, listening to someone else's home, I feel good recordings, and getting to my own home is not so good? Why is there such a result? The problem is clearly in the word "Bias".
Everyone's sound system will be biased somewhat, why is this "biased"? The fact is that most people in their homes will have their own sound system that has a particular tendency to one side because of equipment mix and space factors. This feature can be called "biased". What will happen to "biased"? Some CD recordings are just right for your "bias", while others are not. If you are suitable, you will think that it is a good recording. If you are not suitable, you will feel that the recording is not good. Usually, the sound system is more "biased". When listening to music, the more CDs you have, the better the recording is. Most CDs will feel that the recording is not acceptable. The less the audio system is "biased", the wider the recording effect will be accepted.
Perhaps you will ask, is this because there is no "bias", you will feel that all the recordings are very good? Do not! There is a general standard for the quality of the recording, and it will not become a good recording because there is no "bias". What I want to say is that the more there is no "biased" sound system, the more it is acceptable for the recording effects of various CDs, and it will not be felt. However, if you want to seriously judge whether the recording is good or bad, there is still a high score. Of course, the recording effect is always a relatively small party.
Bias will make people think that only I am right, the rest are wrong.
What harm does the audio system have if it is "biased"? First, because of the "bias" of the sound system, we tend to be blinded and not knowing ourselves. It is easy to fall into the trap of adjusting the sound toward the tip of the horn. Secondly; also because of "biasedness", we tend to have a tendency to make certain recordings, but not incompatible with others. I often emphasize that the most important thing to adjust the sound is "the overall balance." If the sound is out of balance, it is a serious distortion of the music that the musicians have painstakingly played. When the music is distorted, the music played by the first-rate musicians will become the same as the musicians who are not in the stream. Similarly, if your sound system is "biased", the more balanced your sound balance is, the more distorted it is. In such a situation, you have a real chance to enjoy the beauty of music.
How can we avoid the "bias" of the sound system? Here I want to stress once again that everyone's audio system will inevitably be "biased" and there will be no exceptions. The point of the question is, do you have to know where the "bias" is? Then try to adjust in the right direction to reduce the degree of "biased". This way, you will be able to enjoy balanced musicality. If you can't reflect on your "bias", you will often fall into the fog of "others are wrong, only me." So, how can we avoid the "bias" of the sound system? First of all, you must open your heart and admit that there will be a "biased" fact. Then, with a broader inclusiveness, review the differences between your audio system and others.
Five CDs have come back as a tool for detecting biased tools. For a person with little experience in audio, even if you have the heart to test how much "bias" you have, you may not be able to start. Here, I provide five CDs as a tool to test the degree of "bias" of my audio system. With these five easy-to-buy CDs, you can do cross-tests for yourself. Perhaps, you would say: Are these five CDs selected under your own "bias"? Can you use my bias to cure my bias? You make sense, but I have tried to reduce the possibility of this bias. Because these five CDs have been tested on many different occasions, not just on my own system. Also, these five CDs have been tested on my electrostatic headset system. I still remember that I can adjust the sound to "use headphones as a teacher"? Because the earphones suffer the least pollution, it only passes through the source, without the pollution of the front, back, speakers and space. Its credibility should be the highest. Therefore, the five CDs I selected should be used as a biased test tool.
The first level, the high frequency can not be sharp and harsh, the CD used to have the sweetness of the first level is "four seasons." This "Four Seasons" is led by Giuliano Carmignola (Divox CDX 79404). He devoted himself to the study of music in the early 18th century, and used the instruments of the time and the manuscripts of the time to try to understand the musical interpretations of the time. Therefore, although the version of the four seasons is full of the world, his interpretation is very creative (or return to the origin), full of vitality, no stagnation, is a very worthy performance. Because the instrument used in this orchestra is an antique instrument, its sound lines are clearer and thinner than the modern string group, and the tone is harder. However, the clear sound and bright sound that it emits, as well as the sweet taste, are also very charming. Moreover, the orchestra's compilation is very small, only eight or nine people, so the performance of each instrument is very clear.
When listening to this CD, if you sound like the sound is too hard, the string only shows a thin, sharp and harsh line, and you can't enjoy the sweetness at all. That means your sound system is biased too bright and sharp, and the amount of intermediate and low frequencies may not be enough. Also, since the orchestra does not have a low-frequency "heavy weapon", the entire CD is kept in a clear, transparent, light and smart atmosphere. Under such an atmosphere, you can feel the slight elasticity of the low frequency band.
Remind you again that the quality of this CD is clear and bright, but with a sweet taste. If there is no sweetness, or if there is more low frequency, it is not right. What's more, it sounds sharp and harsh.
The second level, the intermediate frequency should be full, and the second level must be clear. I will use this "single choir" (Philips 456 653-2) written in the "Editor's Private CD". This CD is a male choir composed of tenors, baritone and bass, and their range is fully included in the mid-range. If you listen to this CD and feel that the intermediate frequency is too thick, it is too thick to be opened, which means that the lower end of the middle frequency band (near the low frequency) is too much. So much sense of volume not only makes the sound dye, but also slows down the sound and suppresses the sense of life. At this point, the music you hear will be dull and dull.
If you listen to this CD, you feel that the sound is not full and rich, you can't feel the handsome harmony of the male chorus, and the chorus is not full of the entire sound field. Obviously, your audio system has a weak intermediate frequency. As long as the intermediate frequency is weak, your sound will change from color to black and white, and most of the music will not be heard for a long time.
A truly outstanding chorus conductor will make the chorus have a harmonious harmony and clear voice performance. This CD has these two advantages. In fact, this is the balance of chorus. If you listen to this CD, you feel that "the tablet is sluggish" and cannot be touched by its music, that is, there is a problem in the middle band. By the way, although the mid-range is the most important part, it cannot be unrestrained. If the mid-range is too much, it will still destroy the overall balance of music. You must not check this.
The third level, the low frequency should be flexible, not turbid.
The CD used in the third level is Janis Ian's "Breaking Silence" (Morgan Creek 2959-20023-2). From the first beginning, the low-frequency part should show the elasticity and Q-ability of the dive ability, and it is better to have the low-frequency shadow. The so-called "shadow" is the sense of hearing in which the low frequency naturally extends and disappears. If the extension is unnatural, the low frequency will disappear, and there will be no shadow and no elasticity. I emphasize that you should find this feeling in every song on this CD.
If you are listening to the third and fourth heads, you still can't feel the low-frequency elasticity and shadow, and feel that the low-frequency sense is not enough. This means that your audio system lacks the proper amount of volume in the mid-low frequency and low-frequency parts. On the other hand, if you listen to the third and the fourth, you feel that the low frequency is too much, and you have begun to reach the point of turbidity, which means that the middle and low frequency and the low frequency are too much, and the control is too bad.
Please note that this CD will not be harsh in any way, and will not be cloudy. If you just don't get irritated or turbid, but you don't enjoy flexibility and Q, you can only say that "bias" is not serious, but it is not yet in the middle. If you are not only flexible and Q degree, but also can clearly hear the texture of low-frequency instruments, know what those instruments are making sound, then hit the hearts.
The fourth level, the details of the sound should be like the wings of the dragon in the vibration. The CD I want to use is Mendel's "A Midsummer Night's Dream" (Preiwen directs the London Symphony Orchestra. EMI version). In the first "overture", there are many places in the string group that are both whispering and clear, just like a large group of dragonflies on the water's edge. If you hear the subtle performance of this string of strings without the violin texture, no sweetness, no clear transparency, and will not make you feel moved, it means your sound system is not sensitive enough. As for what would be not sensitive enough? May be on the horn.
In addition, the strength and weakness of this CD is quite strong. If you feel too noisy and too harsh when you play strong, the whole string group loses the beauty of the string, it means that the sound system is not strong or weak. Big. In such a clear situation, you may not get the subtle and magnificent beauty of most orchestral music.
In addition to the subtleties of the string, we also have to listen to the subtleties of woodwind. If the wood tube does not hear all kinds of subtle sounds (including buttons, blowing, etc.), the true texture of the wood tube will not come out, and the luster and sweetness of the wood tube will not come out. At this point, the beauty of the music you hear has been greatly reduced.
Vocals can also be used for testing on this CD. In the fourth paragraph, the vocals show that if the vocals are not live enough, the high and low stagnation response is not fast enough, it fully shows that your sound system has a living feeling, and the instantaneous reaction and speed are not enough.
Finally, add a tip. There are many places in this CD that have low-frequency hum, and if you can't hear the hum, it means that your audio system has low-frequency regenerative power. At this point, I believe that if you listen to this CD, you will feel that the low-frequency band is not enough, and the sound tends to be high. If you hear a strong and obvious buzz, it means that the low frequency band is excessive. The more appropriate situation is that it sounds very clear, but there is no sense of oppression, as if the low frequency of the organ hits, it will not interfere with the appreciation of music. If you don't know where to look for buzz, try it for 4 minutes and 10 seconds.
The fifth level, the overall balance is not enough?
There is no doubt that I want to choose the Beethoven's sixth symphony "The Pastoral" directed by Walter (Walter Conducts the Columbia Orchestra, CBS version). Here, I want to ask you to think about it. Will Beethoven write the pastoral as a very low-frequency music? No, because the symphony orchestra of that era did not have the scale of hundreds of people. The era was balanced by rationality. Will Walter command Beethoven's "Country" as a symphony of Mahler? Nor will it. Although Walter is a student of Mahler, his "landscape" is full of balanced harmony. So, if you hear a rough voice; you hear too much low frequency, it is already off.
In this CD, it can be said that every element of music has it. You should be able to enjoy the texture of the string group, whether it is a violin or a cello or a double bass. If you can't hear the texture and beauty of the string group, then it's not right. Also, is the string group you heard shiny? Is it sweet? Is the wood tube you hear shiny and sweet? If not, Walt's subtle balance has been destroyed by your sound system.
Finally, I have to ask, are you really listening to the performance of this CD? Still people are clouds, have to say moving? If you listen to this CD, you will always feel "sweet" and have "glossy", "vigorous", "life", "rich", "full" and "texture" (all seven items are required). The sound has always surrounded you, the whole music is not boring and tired, but you can deeply enjoy the balance between the sound and the music. That's right. At this point, even if your audio system is "biased," it is only a minor condition.
On the other hand, if you listen to it, you can't feel the beauty of the music I mentioned above. Instead, I doubt that there is something outstanding about the interpretation of this CD. If you suspect that the recording effect of this CD is fascinating, then This means that your audio system has a very serious "bias". "Mission" ruined the balance of beauty of the entire music.
Although I have listed five CDs to test the five levels, please don't misunderstand that the five CDs can only test those parts. In fact, these five CDs can fully enjoy the beauty of balanced music. As long as your audio system is not too "biased", you should feel that the recordings of these five CDs are very beautiful. If there is a "bias", these five CDs will sound problematic.
The most important thing to listen to is to be able to enjoy the beauty of music. Whether it is pop music or classical music, as long as it is balanced when reproducing music, they will be moving. If you have been struggling with the unpleasant mud, or always think that only a few CDs are good, please open your mind and start to correct your "bias"! | Most audio fans will have this experience: how good feel yourself at home recording, get another home performance is not how? The same, listening to someone else's home, I feel good recordings, and getting to my own home is not so good? Why is there such a result? The problem is clearly in the word "Bias".
Everyone's sound system will be biased somewhat, why is this "biased"? The fact is that most people in their homes will have their own sound system that has a particular tendency to one side because of equipment mix and space factors. This feature can be called "biased". What will happen to "biased"? Some CD recordings are just right for your "bias", while others are not. If you are suitable, you will think that it is a good recording. If you are not suitable, you will feel that the recording is not good. Usually, the sound system is more "biased". When listening to music, the more CDs you have, the better the recording is. Most CDs will feel that the recording is not acceptable. The less the audio system is "biased", the wider the recording effect will be accepted.
Perhaps you will ask, is this because there is no "bias", you will feel that all the recordings are very good? Do not! There is a general standard for the quality of the recording, and it will not become a good recording because there is no "bias". What I want to say is that the more there is no "biased" sound system, the more it is acceptable for the recording effects of various CDs, and it will not be felt. However, if you want to seriously judge whether the recording is good or bad, there is still a high score. Of course, the recording effect is always a relatively small party.
Bias will make people think that only I am right, the rest are wrong.
What harm does the audio system have if it is "biased"? First, because of the "bias" of the sound system, we tend to be blinded and not knowing ourselves. It is easy to fall into the trap of adjusting the sound toward the tip of the horn. Secondly; also because of "biasedness", we tend to have a tendency to make certain recordings, but not incompatible with others. I often emphasize that the most important thing to adjust the sound is "the overall balance." If the sound is out of balance, it is a serious distortion of the music that the musicians have painstakingly played. When the music is distorted, the music played by the first-rate musicians will become the same as the musicians who are not in the stream. Similarly, if your sound system is "biased", the more balanced your sound balance is, the more distorted it is. In such a situation, you have a real chance to enjoy the beauty of music.
How can we avoid the "bias" of the sound system? Here I want to stress once again that everyone's audio system will inevitably be "biased" and there will be no exceptions. The point of the question is, do you have to know where the "bias" is? Then try to adjust in the right direction to reduce the degree of "biased". This way, you will be able to enjoy balanced musicality. If you can't reflect on your "bias", you will often fall into the fog of "others are wrong, only me." So, how can we avoid the "bias" of the sound system? First of all, you must open your heart and admit that there will be a "biased" fact. Then, with a broader inclusiveness, review the differences between your audio system and others.
Five CDs have come back as a tool for detecting biased tools. For a person with little experience in audio, even if you have the heart to test how much "bias" you have, you may not be able to start. Here, I provide five CDs as a tool to test the degree of "bias" of my audio system. With these five easy-to-buy CDs, you can do cross-tests for yourself. Perhaps, you would say: Are these five CDs selected under your own "bias"? Can you use my bias to cure my bias? You make sense, but I have tried to reduce the possibility of this bias. Because these five CDs have been tested on many different occasions, not just on my own system. Also, these five CDs have been tested on my electrostatic headset system. I still remember that I can adjust the sound to "use headphones as a teacher"? Because the earphones suffer the least pollution, it only passes through the source, without the pollution of the front, back, speakers and space. Its credibility should be the highest. Therefore, the five CDs I selected should be used as a biased test tool.
The first level, the high frequency can not be sharp and harsh, the CD used to have the sweetness of the first level is "four seasons." This "Four Seasons" is led by Giuliano Carmignola (Divox CDX 79404). He devoted himself to the study of music in the early 18th century, and used the instruments of the time and the manuscripts of the time to try to understand the musical interpretations of the time. Therefore, although the version of the four seasons is full of the world, his interpretation is very creative (or return to the origin), full of vitality, no stagnation, is a very worthy performance. Because the instrument used in this orchestra is an antique instrument, its sound lines are clearer and thinner than the modern string group, and the tone is harder.ä¸è¿‡ï¼Œå®ƒæ‰€å‘出æ¥çš„明朗音质以åŠäº®ä¸½çš„音色，还有甜甜的味é“å´ä¹Ÿéžå¸¸è¿·äººã€‚å†è€…，这个ä¹å›¢çš„编制很å°ï¼Œåªæœ‰å…«ã€ä¹çš„人，所以æ¯ç§ä¹å™¨çš„表现都éžå¸¸æ¸…楚。
在å¬è¿™å¼ CD时，如果您å¬èµ·æ¥è§‰å¾—声音硬得ä¸èˆ’æœï¼Œå¼¦ä¹åªè¡¨çŽ°å‡ºå•è–„çš„å°–é”刺耳线æ¡ï¼Œæ ¹æœ¬äº«å—ä¸åˆ°ç”œå‘³ã€‚那就表示您的音å“系统åå‘过于明亮ã€å°–é”çš„æ–¹å‘，ä¸é¢‘与低频的é‡æ„Ÿå¯èƒ½éƒ½ä¸è¶³ã€‚还有，由于这个ä¹å›¢å¹¶æ²¡æœ‰ä½Žé¢‘的「é‡å…µå™¨ã€ï¼Œå› æ¤ï¼Œæ•´å¼ CDéšæ—¶éƒ½ä¿æŒåœ¨æ¸…澈é€æ˜Žã€è½»ç›ˆçµå·§çš„气氛ä¸ã€‚è€Œåœ¨è¿™æ ·çš„æ°”æ°›ä¹‹ä¸‹ï¼Œæ‚¨åˆå¯ä»¥æ„Ÿå—到低频段轻微的弹性。
å†æ¬¡æé†’æ‚¨ï¼Œè¿™å¼ CD的特质是明晰亮丽，但是带有甜味。如果没有甜味ã€æˆ–是低频多而浓都ä¸å¯¹ã€‚æ›´ç‰è€Œä¸‹ä¹‹çš„就是å¬èµ·æ¥å°–é”刺耳。
第二关，ä¸é¢‘è¦é¥±æ»¡è¦ä¸°æ¶¦ä¹Ÿè¦æ¸…楚第二关我è¦ç”¨è¿™æœŸæˆ‘写在「总编的ç§æˆ¿CDã€ä¸é‚£å¼ 「å•èº«æ±‰åˆå”±å›¢ã€ï¼ˆPhilips 456 653-2）æ¥è¯•ã€‚è¿™å¼ CD是个男声åˆå”±å›¢ï¼Œç”±ç”·é«˜éŸ³ã€ç”·ä¸éŸ³ä¸Žç”·ä½ŽéŸ³ç»„æˆï¼Œä»–们的音域完全包括在ä¸é¢‘段ä¸ã€‚å‡è‹¥å¬è¿™å¼ CD时觉得ä¸é¢‘太浓，浓得有一点化ä¸å¼€ï¼Œé‚£å°±ä»£è¡¨ä¸é¢‘段的下端（接近ä¸ä½Žé¢‘处）é‡æ„Ÿå¤ªå¤šäº†ã€‚这么多的é‡æ„Ÿä¸ä»…会让声音染色，而且还会拖慢声音的速度感与压抑活生感。æ¤æ—¶ï¼Œæ‚¨æ‰€å¬åˆ°çš„音ä¹è¿˜ä¼šæœ‰å‘†æ»žæ²ˆé—·çš„感觉。
å‡è‹¥å¬è¿™å¼ CD时觉得声音ä¸ç®—饱满丰润，感å—ä¸åˆ°ç”·å£°åˆå”±å›¢æµ‘厚的和声美感，åˆå”±ä¹Ÿæ²¡æœ‰å……满整个音场。很明显，您的音å“系统有ä¸é¢‘薄弱的问题。ä¸é¢‘åªè¦ä¸€è–„弱，您的音å“就会从彩色å˜é»‘白的，大部份的音ä¹æ€Žä¹ˆå¬éƒ½ä¸è€ä¹…å¬ã€‚
一个真æ£æ°å‡ºçš„åˆå”±æŒ‡æŒ¥ä¼šè®©åˆå”±å…¼æœ‰å’Œè°çš„和声之美与清楚的å„å£°éƒ¨è¡¨çŽ°ï¼Œè¿™å¼ CD就具有这二项优点，其实这就是åˆå”±çš„平衡之美。如果您å¬è¿™å¼ CD时，觉得「平æ¿å‘†æ»žã€ï¼Œæ— 法被它的音ä¹æ„ŸåŠ¨ï¼Œé‚£å°±æ˜¯ä¸é¢‘段有问题了。对了，虽然ä¸é¢‘段是最é‡è¦çš„部份，但是也ä¸èƒ½æ— 节制的「多ã€ã€‚ä¸é¢‘段如果过分的多，ä»ç„¶ä¼šç ´å音ä¹æ•´ä½“的平衡性，这点您ä¸å¯ä¸æŸ¥ã€‚
第三关，低频è¦Qè¦æœ‰å¼¹æ€§ï¼Œä¸èƒ½æµ‘浊。
第三关所用的CD是Janis Ian的「Breaking Silenceã€ï¼ˆMorgan Creek 2959-20023-2）。从第一首开始，低频的部份就è¦è¡¨çŽ°å‡ºæœ‰ä¸‹æ½œèƒ½åŠ›çš„弹性与Q性，最好还è¦æœ‰ä½Žé¢‘çš„å½±å。所谓「影åã€å°±æ˜¯ä½Žé¢‘自然延伸消失的å¬æ„Ÿï¼Œå¦‚果延伸ä¸è‡ªç„¶ï¼Œä½Žé¢‘硬生生消失，就ä¸ä¼šæœ‰å½±å，也ä¸ä¼šæœ‰å¼¹æ€§ã€‚æˆ‘å¼ºè°ƒåœ¨è¿™å¼ CDä¸çš„æ¯ä¸€é¦–æŒä¸ï¼Œæ‚¨åº”该都å¯ä»¥æ‰¾åˆ°è¿™ç§æ„Ÿè§‰ã€‚
如果您在å¬ç¬¬ä¸‰ã€ç¬¬å››é¦–时，ä»ç„¶æ„Ÿå—ä¸åˆ°æ°å¥½çš„低频弹性与影å，也觉得低频é‡æ„Ÿä¸å¤Ÿã€‚这就代表ç€æ‚¨çš„音å“系统在ä¸ä½Žé¢‘ä¸Žä½Žé¢‘è¿™éƒ¨ä»½æ¬ ç¼ºé€‚å½“çš„é‡æ„Ÿã€‚å之，如果在å¬ç¬¬ä¸‰ã€åœ°å››é¦–时，您觉得低频é‡æ„Ÿå¤ªå¤šï¼Œå·²ç»å¼€å§‹åˆ°è¾¾æµ‘浊的地æ¥ï¼Œé‚£å°±ä»£è¡¨ç€ä¸ä½Žé¢‘与低频é‡æ„Ÿå¤ªå¤šï¼Œä»¥åŠæŽ§åˆ¶åŠ›å¤ªå·®ã€‚
请注æ„ï¼Œè¿™å¼ CDæ— è®ºå¦‚ä½•ä¹Ÿä¸ä¼šåˆºè€³ï¼ŒåŒæ—¶ä¹Ÿä¸ä¼šæµ‘浊。如果您åªæ˜¯è¾¾åˆ°ä¸ä¼šåˆºè€³ä¹Ÿä¸ä¼šæµ‘浊，但没有享å—到弹性与Q性，那åªèƒ½è¯´ã€Œå颇ã€å¾—ä¸ä¸¥é‡ï¼Œä½†æ˜¯è¿˜æ²¡ä¸€çŸ¢ä¸çš„。如果您除了弹性与Q度之外，åŒæ—¶è¿˜éƒ½èƒ½å¾ˆæ¸…楚的å¬å‡ºä½Žé¢‘ä¹å™¨çš„质感，知é“那些是什么ä¹å™¨åœ¨å‘声，那就命ä¸çº¢å¿ƒäº†ã€‚
第四关，声音的细节è¦åƒèœ»èœ“的翅膀在振动这关我è¦ç”¨çš„CD是门德尔颂的「仲å¤å¤œä¹‹æ¢¦ã€ï¼ˆæ™®çƒˆæ–‡æŒ‡æŒ¥ä¼¦æ•¦äº¤å“ä¹å›¢ã€‚EMI 版）。在第一段「åºæ›²ã€ä¸ï¼Œå¼¦ä¹ç¾¤æœ‰è®¸å¤šåœ°æ–¹çš„å¼±å¥è¡¨çŽ°æ—¢å°å£°åˆæ¸…晰，就好åƒæ°´è¾¹ä¸€å¤§ç¾¤èœ»èœ“振翅。如果您å¬åˆ°çš„这群弦ä¹ç»†å¾®çš„æ¼”å¥æ²¡æœ‰å°æç´çš„质感，没有甜味，也没有清晰的é€æ˜Žæ„Ÿï¼Œä¹Ÿä¸ä¼šè®©æ‚¨ç”±è¡·æ„ŸåŠ¨çš„è¯ï¼Œé‚£å°±è¡¨ç¤ºæ‚¨çš„音å“系统ä¸å¤Ÿçµæ•ã€‚至于会是那里ä¸å¤Ÿçµæ•ï¼Ÿå¯èƒ½ä¼šå‡ºåœ¨å–‡å身上。
æ¤å¤–ï¼Œè¿™å¼ CD的强弱对比相当强烈，如果在强å¥çš„时候您会觉得太åµå¤ªåˆºè€³ï¼Œæ•´ä¸ªå¼¦ä¹ç¾¤å¤±åŽ»å¼¦ä¹çš„美感时，那就表示您的音å“系统强弱对比的幅度ä¸å¤§ã€‚åœ¨è¿™æ ·çš„æ¸…å†µä¸‹ï¼Œæ‚¨å¬å¤§éƒ¨ä»½çš„管弦ä¹å¯èƒ½éƒ½å¾—ä¸åˆ°èƒ½ç»†å¾®åˆèƒ½å£®é˜”的美感。
除了弦ä¹çš„细微处之外，我们还è¦å¬æœ¨ç®¡ä¹çš„细微处。å‡è‹¥æœ¨ç®¡æ²¡æœ‰å¬åˆ°å„ç§ç»†å¾®çš„声音（包括按键ã€å¹æ°”ç‰ï¼‰ï¼Œæœ¨ç®¡çš„真æ£è´¨æ„Ÿå°±å‡ºä¸æ¥ï¼Œæœ¨ç®¡çš„光泽与甜味也åŒæ ·å‡ºä¸æ¥ã€‚æ¤æ—¶ï¼Œæ‚¨æ‰€å¬åˆ°çš„音ä¹ç¾Žæ„Ÿå·²ç»å¤§æ‰“折扣。
äººå£°åœ¨è¿™å¼ CDä¸ä¹Ÿå¯ä»¥ç”¨æ¥æµ‹è¯•ã€‚在第四段的人声表现出，如果人声ä¸å¤Ÿæ´»ï¼Œé«˜é«˜ä½Žä½Žçš„抑扬顿挫å应ä¸å¤Ÿå¿«ï¼Œé‚£éƒ½å……分显示出您的音å“系统活生感有问题，瞬时å应与速度感都ä¸å¤Ÿã€‚
最åŽï¼ŒåŠ 给一个å°è´¹ã€‚è¿™å¼ CDä¸æœ‰è®¸å¤šåœ°æ–¹æœ‰ä½Žé¢‘辘声，å‡è‹¥å¬ä¸åˆ°è¾˜å£°ï¼Œè¡¨ç¤ºæ‚¨çš„音å“系统低频å†ç”Ÿèƒ½åŠ›æœ‰é—®é¢˜ã€‚æ¤æ—¶ï¼Œæˆ‘相信您å¬è¿™å¼ CD也会感觉低频段é‡æ„Ÿä¸å¤Ÿï¼Œå£°éŸ³éƒ½å€¾å‘ä¸é«˜éƒ¨ä»½ã€‚若是å¬åˆ°å¾ˆå¼ºå¾ˆæ˜Žæ˜¾çš„辘声，则表示低频段有过é‡ä¹‹å«Œã€‚比较适当的情况是å¬èµ·æ¥å¾ˆæ¸…楚，但是å´åˆæ²¡æœ‰åŽ‹è¿«æ„Ÿï¼Œå¥½åƒç®¡é£Žç´çš„低频è¢æ¥ï¼Œä¸ä¼šå¹²æ‰°éŸ³ä¹çš„欣èµã€‚如果您ä¸çŸ¥é“è¦åœ¨é‚£é‡Œæ‰¾è¾˜å£°ï¼Œä¸å¦¨è¯•è¯•çœ‹4分10秒左å³ã€‚
第五关，整体的平衡性够ä¸å¤Ÿåœ†èžï¼Ÿ
æ¯«æ— ç–‘é—®ï¼Œæˆ‘è¦é€‰åŽå°”特指挥的è´å¤šèŠ¬ç¬¬å…å·äº¤å“曲「田å›ã€ï¼ˆåŽå°”特指挥哥伦比亚管弦ä¹å›¢ï¼ŒCBS版）。在æ¤ï¼Œæˆ‘è¦å…ˆè¯·æ‚¨æƒ³æƒ³çœ‹ï¼Œè´å¤šèŠ¬ä¼šæŠŠç”°å›å†™æˆä½Žé¢‘很浓é‡çš„ä¹æ›²å—？ä¸ä¼šï¼Œå› 为那个时代的交å“ä¹å›¢ç¼–制还没有上百人那ç§è§„模，那个时代讲究的是ç†æ€§çš„平衡。åŽå°”特会把è´å¤šèŠ¬çš„「田å›ã€æŒ‡æŒ¥å¾—åƒé©¬å‹’的交å“曲å—？也ä¸ä¼šã€‚åŽå°”特虽然是马勒的å¦ç”Ÿï¼Œä½†æ˜¯ä»–指挥的「田å›ã€å……满了平衡的和è°ç¾Žæ„Ÿã€‚所以，如果您å¬åˆ°å¤ªç²—暴的声音；您å¬åˆ°å¤ªæµ“é‡çš„低频，那都已ç»å了。
åœ¨è¿™å¼ CDä¸ï¼Œå¯è¯´æ¯ä¸€ç§éŸ³ä¹çš„è¦ç´ 都有了。您应该å¯ä»¥äº«å—到弦ä¹ç¾¤çš„è´¨æ„Ÿï¼Œæ— è®ºæ˜¯å°æç´æˆ–大æç´ã€ä½ŽéŸ³æç´çš†ç„¶ã€‚å‡è‹¥æ‚¨å¬ä¸åˆ°å¼¦ä¹ç¾¤çš„质感与美感，那就ä¸å¯¹äº†ã€‚还有，您å¬åˆ°çš„弦ä¹ç¾¤æœ‰å…‰æ³½å—？有甜味å—？您å¬åˆ°çš„木管有光泽ã€æœ‰ç”œå‘³å—？å‡è‹¥æ²¡æœ‰ï¼ŒåŽå°”特那精妙的平衡感也已ç»è¢«æ‚¨çš„音å“ç³»ç»Ÿç ´å了。
最åŽï¼Œæˆ‘è¦é—®ï¼Œæ‚¨å¬è¿™å¼ CDçš„æ¼”å¥æ˜¯å‡ºè‡ªå†…心真æ£çš„感动呢？还是人云亦云，ä¸å¾—ä¸è¯´æ„ŸåŠ¨ï¼Ÿå‡è‹¥æ‚¨å¬è¿™å¼ CD时，一直觉得「甜ã€è€Œæœ‰ã€Œå…‰æ³½ã€ã€æœ‰ã€Œæ´»åŠ›ã€ã€æœ‰ã€Œç”Ÿå‘½ã€ã€ã€Œä¸°æ¶¦ã€ã€ã€Œé¥±æ»¡ã€ã€æœ‰ã€Œè´¨æ„Ÿã€ï¼ˆè¿™ä¸ƒé¡¹éƒ½è¦æœ‰ï¼‰çš„声音一直包围ç€æ‚¨ï¼Œæ•´å¼ 音ä¹å¬ä¸‹æ¥ä¸€ç‚¹éƒ½ä¸è§‰æ— èŠã€åŠ³ç´¯ï¼Œå而能够深深的享å—到音å“效果与音ä¹çš„平衡美感，那就对了。æ¤æ—¶ï¼Œæ‚¨çš„音å“系统å³ä½¿è¿˜æœ‰ã€Œå颇ã€ï¼Œä¹Ÿåªæ˜¯è½»å¾®çš„状况而已。
å之，å‡è‹¥æ‚¨å¬æ¥å¬åŽ»ï¼Œéƒ½æ„Ÿå—ä¸åˆ°ä»¥ä¸Šæˆ‘所说的音ä¹ç¾Žæ„Ÿï¼Œåè€Œæ€€ç–‘è¿™å¼ CDçš„è¯ é‡Šé‚£æœ‰ä»€ä¹ˆæ°å‡ºä¹‹å¤„ã€æ€€ç–‘è¿™å¼ CD的录音效果那有迷人之处时，那就表示您的音å“系统有相当严é‡çš„「å颇ã€ã€‚「å颇ã€æŠŠæ•´ä¸ªéŸ³ä¹çš„平衡美感都æ¯æŽ‰äº†ã€‚
è™½ç„¶æˆ‘åˆ—ä¸¾äº”å¼ CDæ¥åšè¿‡äº”关的测试，但是请您ä¸è¦è¯¯è§£è¿™äº”å¼ CDåªèƒ½æµ‹è¯•å®ƒä»¬é‚£ä¸ªéƒ¨ä»½è€Œå·²ã€‚å…¶å®žè¿™äº”å¼ CD都能够充分的享å—平衡的音ä¹ä¹‹ç¾Žï¼Œåªè¦æ‚¨çš„音å“系统ä¸å…·æœ‰å¤ªå¼ºçš„「å颇ã€ï¼Œåº”è¯¥éƒ½ä¼šè§‰å¾—è¿™äº”å¼ CD的录音都很美。如果有「å颇ã€ï¼Œè¿™äº”å¼ CDå¬èµ·æ¥éƒ½ä¼šæœ‰é—®é¢˜ã€‚
å¬éŸ³å“最é‡è¦çš„就是è¦èƒ½å¤Ÿäº«å—到音ä¹ä¹‹ç¾Žï¼Œæ— 论是æµè¡ŒéŸ³ä¹æˆ–å¤å…¸éŸ³ä¹ï¼Œåªè¦æ˜¯å†ç”ŸéŸ³ä¹çš„时候能够得到平衡性，它们都会令人感动。å‡è‹¥æ‚¨ä¸€ç›´éƒ½åœ¨ä¸å¥½å¬çš„泥沼ä¸æŒ£æ‰Žï¼Œæˆ–者一直åªè§‰å¾—åªæœ‰å°‘æ•°å‡ å¼ CD好å¬æ—¶ï¼Œè¯·æ•žå¼€å¿ƒèƒ¸ï¼Œå¼€å§‹æ ¡æ£è‡ªå·±çš„「å颇ã€å§ï¼|
We have a full range of plastic jar Food Blenders, including 1L, 1.25L, 1.5L, 1.6L plastic jar food blenders with grinder. Plastic jar also have different materials, PS jar, AS jar and PC jar. Plastic Jar Blenders usually with 300/350W 7020 or 7025 motor.
Discription of Plastic Jar Food Blenders
Size: 1L, 1.25L, 1.5L, 1.6L
Material: PS, AS, PC unbreakable jar
Controls Type: Rotary switch, push button
Plastic Jar Food Blenders
Plastic Jar Food Blenders,Plastic Jar Blenders,Blender Food Processor,1.5L Blender
Flying Electronic Co., Ltd , http://www.flyingelectronic.com